The Sigma 16-28mm F2.8 DG DN C is more affordable and has less distortion, making it a better option for architecture and interior photography, while the Sigma 14-24mm F2.8 DG DN Art is better suited for landscape photography and outdoor shooting
Sigma has been producing high-quality lenses for years, and two of their most popular ultra-wide-angle lenses for mirrorless cameras are the Sigma 16-28mm F2.8 DG DN C and the Sigma 14-24mm F2.8 DG DN Art. Both lenses offer excellent image quality, but they have some key differences that make them better suited for different types of photography. In this article, we will compare the Sigma 16-28mm F2.8 DG DN C vs Sigma 14-24mm F2.8 DG DN Art to help you choose the best lens for your needs.
Firstly, let's take a closer look at the Sigma 16-28mm F2.8 DG DN C. This lens is part of Sigma's Contemporary line, which is designed to be compact and lightweight while still offering excellent image quality. The Sigma 16-28mm F2.8 DG DN C is a wide-angle zoom lens that is designed for use on mirrorless cameras. It has a focal length range of 16-28mm and a maximum aperture of f/2.8. It also has a minimum focusing distance of 28cm and a 9-blade diaphragm, which helps to create a smooth bokeh effect.
Now, let's take a closer look at the Sigma 14-24mm F2.8 DG DN Art. This lens is part of Sigma's Art line, which is designed to offer the highest level of image quality possible. The Sigma 14-24mm F2.8 DG DN Art is also a wide-angle zoom lens that is designed for use on mirrorless cameras. It has a focal length range of 14-24mm and a maximum aperture of f/2.8. It also has a minimum focusing distance of 28cm and a 11-blade diaphragm, which helps to create an even smoother bokeh effect.
Now that we have a basic understanding of each lens, let's compare them in more detail.
When it comes to image quality, both lenses produce excellent results. The Sigma 14-24mm F2.8 DG DN Art has a wider focal length range, which makes it better suited for landscape photography. It also has a slightly wider maximum aperture, which means it can produce a shallower depth of field. The Sigma 16-28mm F2.8 DG DN C, on the other hand, is better suited for architecture and interior photography due to its wider angle of view. It also has less distortion than the Sigma 14-24mm F2.8 DG DN Art, which can be an important consideration for certain types of photography.
Both lenses have excellent build quality, but the Sigma 14-24mm F2.8 DG DN Art is built to a higher standard. It has a weather-sealed design that protects it from dust and moisture, making it ideal for outdoor photography. The Sigma 16-28mm F2.8 DG DN C is also well-built, but it lacks the weather-sealed design of the Sigma 14-24mm F2.8 DG DN Art.
The Sigma 16-28mm F2.8 DG DN C is smaller and lighter than the Sigma 14-24mm F2.8 DG DN Art. This makes it more portable and easier to carry around, which can be an important consideration for photographers who are always on the go. However, the Sigma 14-24mm F2.8 DG DN Art is still relatively compact and lightweight considering its wide focal length range.
Both lenses have fast and accurate autofocus systems, but the Sigma 14-24mm F2.8 DG DN Art has a more advanced autofocus system. It uses a stepping motor that is optimized for both stills and video, which makes it ideal for photographers who shoot both types of content. The Sigma 16-28mm F2.8 DG DN C also has a fast and accurate autofocus system, but it lacks the advanced features of the Sigma 14-24mm F2.8 DG DN Art.
The Sigma 16-28mm F2.8 DG DN C is significantly cheaper than the Sigma 14-24mm F2.8 DG DN Art. This makes it a more affordable option for photographers who are on a budget. However, the Sigma 14-24mm F2.8 DG DN Art is still relatively affordable considering its high level of image quality and advanced features.
In conclusion, both lenses are excellent options for photographers who need an ultra-wide-angle lens for their mirrorless camera. The Sigma 14-24mm F2.8 DG DN Art is better suited for landscape photography and outdoor shooting due to its wider focal length range, weather-sealed design, and advanced autofocus system. The Sigma 16-28mm F2.8 DG DN C is better suited for architecture and interior photography due to its wider angle of view and less distortion. It is also more portable and affordable than the Sigma 14-24mm F2.8 DG DN Art. Ultimately, the choice between these lenses will depend on your specific needs as a photographer. If you need a wider focal length range, advanced autofocus system, and weather-sealed design, then the Sigma 14-24mm F2.8 DG DN Art is the better option. However, if you need a more portable and affordable lens with less distortion, then the Sigma 16-28mm F2.8 DG DN C is the better option. Regardless of which lens you choose, both lenses offer excellent image quality and build quality that will help you capture stunning photos and videos.
